For those folks who find themselves using their GH5/GH5S for serious film projects, it’s highly recommended to invest in quality third-party accessories that will allow them to work with the camera as efficiently as possible. The Sony uses a 35mm format sensor that is four times larger than the four thirds chip found inside the Lumix camera. And I would suggest you live at the native options for the cleanest image and most dynamic range, and manually choose between the HIGH and LOW ISO brackets until you have a good idea of what it’s doing to the image. Also, with a low constant aperture of f/1.8, this lens is perfect for low-light shooting with a very shallow depth of field. You’re better off always decreasing the ISO from those native options. It’s very easy to grade either using the standard colours or V-Log L settings. Because in the LOW you’re raising the gain, where as in the HIGH you’re lowering the gain. Furthermore, the battery compartment is located on the side of the battery grip, rather than on the bottom. eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_1',143,'0','0']));It goes without saying, the Panasonic GH5 and GH5S are two of the most popular mirrorless cameras used by filmmakers, from novices to full-time professionals and everyone in between. I've been having problems with this for quite some time, I had a shot in a very well lit living room at 800 ISO that was almost unusable. Vari-angle touch LCD. ISO 400 in LOW and ISO 2500 in HIGH. I’ve been shooting Lumix GH5 since it was released nearly five months ago. If you find that 2500 is too much even in low light, you need to probably compensate your exposure by adjusting the f-stop or applying an ND. I've been using it for around 5 months, and the footage taken in lower light scenarios are absolutely horrible. You should realize that changing the aspect ratio to anything else than this will actually crop the sensor, meaning that you’ll lose pixels. If you find that 2500 is too much even in low light, you need to probably compensate your exposure by adjusting the f-stop or applying an ND. Same problems occur when not shooting in vlog? DJI RS 2 and RSC 2 Get 3D Focus System Support, Remote Control for Various Cameras and More. Would you recommend Vlog for low light? Panasonic GH5S features built-in wireless (Wi-Fi) connectivity ( 802.11b/g/n + Bluetooth 4.2 LE) which lets you transfer your photos directly to compatible devices without any physical connection.Panasonic GH5S's Bluetooth connectivity feature comes handy for connecting other devices that supports it. ex-tele photo / digital zoom)? Check the edit, I just uploaded a video with some footage, hopefully that helps. Native 4K sensor and dual native ISO for excellent low-light video quality. Not only does the accessory provide you with improved camera ergonomics, but there are various function buttons located on the side of the grip for shortcuts to commonly used camera settings. For anyone that has been using Lumix for longer, is there some setting hidden somewhere that I have toggled that would help the low light performance? At ISO2500 you bump into the next hardware amplifier (that dual native ISO). eval(ez_write_tag([[300,250],'4kshooters_net-box-4','ezslot_2',144,'0','0']));For the lens, the Sigma 18-35mm f/1.8 for Canon EF mount was used in the build. If there’s plenty of light, probably LOW. An M43 (Micro Four-thirds) camera has a native aspect ratio of (not surprisingly) 4:3. As others have noted, the GH5s crushes the GH5 in low light, with substantially reduced grain at higher ISO settings. I may have been a bit harsh when I said "unusable footage", but it is definitely a detriment to the final quality of the video. Explore the Panasonic DC-GH5S - Cameras - Unlimited recording in C4K/4K 60p/50p. For instance, yesterday I shot an interview at 4K/60 frames, ISO 1600, f/3.5, 1/125th. eval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_3',145,'0','0'])); As outlined in the video, the entire camera is housed in a GH5 Half Cage from SmallRig. There’s a bunch of science that goes into al of this that’s difficult to explain in message like this but suffice it to say, you need to dig into how the dual ISO system works. This lens has an outstanding reputation among DSLR/mirrorless camera shooters, largely thanks to the razor sharp images obtainable with Sigma glass. Read more: Sony A7 III review Not only is the wood construction of the handle visually appealing, but its design also nestles your hands for proper handheld operation. This includes mounting field monitors, portable LED lights, or even an external power source. Ah, good to know. I used to shoot in Vivid or Natural color profile but switched to V-log in order to gain more dynamic range, I never saw a difference in noise. The multi-aspect sensor enables high-quality, 10-bit Cinema 4K video with a wider field of view than the GH5, while offering much-improved low-light shooting. First found in the GH5, the GH5S just makes it all better. There’s crossover in the brackets. August 2, 2017 by Hugh Brownstone. If you’re someone who avidly uses the Electronic Viewfinder (EVF) on your GH5/GH5s, consider purchasing the G-Cup EVF Eyecup by Guerrilla. At ISO 12,800, the GH5S's video was looking quite grainy, but footage from the A7 III was smoother. Panasonic have since released the GH5S, significantly improving on low light capabilities, a camera marketed towards professional video setups. The larger sensor is good to have too. Will be getting it in the next few days.My immediate first project with the GH5 is a music video wich will be shot nightime with a lot of fires as source of light. Although the handle was originally designed to work with RED Cameras, it’s compatible with the SmallRig Half-Cage for the GH5 as well. My company bought a GH5s for use in real estate videography, and I am the primary user of the camera. In addition, the Wooden Handle Grip (Left) by NICEYRIG is also highly recommended to ensure you’re holding your camera in a balanced manner. With any lighting you really should be able to shoot at the first native ISO (ISO400). The GH5 has a range of 200 to 25600 ISO and extended “pull” values down to 100. … Any help would be appreciated, if I'm simply doing something wrong as a camera operator I'd be more than happy to take any criticism. There’s nothing wrong with this, and it will work with native broadcast in your region. One thing I can say: you might be better off at ISO2500 than ISO1250. Rather than viewing the outlined rig as the ultimate camera setup, think of this article more as a guide that helps you identify what accessories may work for your own production workflows and specific requirements and simply pick the ones that you really need. It’s not just a linear setup from the lowest ISO to the highest. If you’re someone who avidly uses the Electronic Viewfinder (EVF) on your GH5/GH5s, consider purchasing the G-Cup EVF Eyecup by Guerrilla. Within the movie customisation menu of the LUMIX S1H, GH5 and GH5S, you have the option to manually set the black point of your camera. You need to decide which one you’re shooting in beforehand. I've tried several settings with the dual native ISO, but the footage still remains the same. Fewer pix… Same with the LOW bracket, if you find that it’s not bright enough at 400, add light. Dropping down to HD, 8-bit and 4:2:0 settings then there is a degradation in quality, but it’s still impressive. The 10bit codec makes for a solid V-LOG-L and the low light performance is a definite step up from the GH5 though, highly noticeable at anything past ISO 800. Looks like Phillip Bloom did a low light comparison GH5s vs A7r3 (s35 crop). You’ll lose some of the dynamic range in the process but there’s less likely a chance of introducing too much noise. The GH5s at ISO1600 should be significantly better than that. A measure of Panasonic's confidence in the GH5S' low-light chops can be seen in its ISO range. 14-bit Raw imaging V-Log L and HLG included. In that time I’ve produced a little over 36,000 images, and along the way I’ve decided on a number of settings … This particular decision was made mainly due to the GH5S larger sensor and dual native ISOs, leading to better low-light performance than its predecessor. And a focal length that’s always perfect, thanks to a multiple aspect ratio recording. I usually record in 8 bit due to 10 bit only being available in 30 fps, we're considering getting an Atomos Ninja which allows 10 bit in 60 frames. The eyecup is made of a soft material designed to provide comfort when looking through the EVF. Panasonic's GH5s mirrorless camera sets a new standard for mirrorless video. Here's a video showing a bit of the issues I've been having: https://www.youtube.com/watch?v=wbKI-F1Ghl8&feature=youtu.be. In addition, the construction of the eyecup is flexible enough that it will not obstruct your ability to flip out the on-camera monitor. Unsurprisingly we begin with one of the most important differences: the sensor size. I didn't make the decision to purchase the camera, but it was purchased mostly for it's low light performance, due to houses being anywhere from dark as a dungeon to perfectly lit. However, if you inspect the frame rate options, you’ll see that only 25fps and 50fps are available , and you’ll be missing the elusive 23.98fps and 24fps frame rates . Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! Using a cage with this camera provides you with the ability to expand your build however you want, largely thanks to the various 3/8” and 1/4” 20 screws placed around the cage body. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. Sensitivity tops out by default at ISO 51,200, where the GH5 had an upper limit of ISO 25,600. For night-time shooting, the GH5S also has a couple of additional tools to help with monitoring. If you expose for your subject and then try to relight the curtain make sure you recorded in 10bits as indeed the grading on the curtain will reveal heaps of shit. The setup featured below is aimed at creating a system that improves the stabilization and handling of the camera, all while keeping the configuration compact enough for run-and-gun shooting. This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. There are three options for "Dual Native ISO", Auto, Low and High. It’s very important that if you’re going to use ISO 2500 that you have the HIGH ISO bracket selected. Both cameras feature all of the standard focus modes, along with more advanced options such as Eye Sensor AF. If it’s low light, probably the HIGH. TheCameraStoreTV YouTube channel, hosted by Chris Niccolis gives a look at what the GH5s can do in low light situations. Now here’s where things get a bit tricky. I would install newest firmware (if you haven't) and at the same time just reset all camera settings to see if you've (or another user) have inadvertedly done something odd. Same build quality as GH5. I might agree with you. I'm not sure exactly where the breakeven point is, but I think it's around there. The heart of Caleb’s build is the Panasonic GH5S, which was chosen over the classic GH5. Changing the aspect ratio can be used as a way to boost your creativity, for instance, landscapes often look great with a 16:9 ratio, or for sharing on Instagram, a 1:1 crop might suit you better. In this article, the writer said he would be comfortable pushing the camera up to 6400 ISO, I hardly go past 800/1250 due to footage being almost unusable after that.